Program - ~3:00PM
Pushpanjali/Mahaganapathim
Ragam: Arabhi
Thalam: Aadi
Composer: Dr. M. Balamuralikrishna
Pushpanjali is a traditional opening dance meaning “offering of flowers.” It is an invocation seeking blessings from God, the guru, the audience, and Mother Earth.
Ragam: Naatai
Thalam: Aadi
Composer: Muthuswamy Dhikshithar
Maha Ganapathim is a vibrant and devotional piece dedicated to Lord Ganesha. The dance praises Ganesha's wisdom, strength, and grace. With dynamic rhythms and expressive movements, the dancer seeks his blessings for a successful and auspicious performance.
Alarippu
Ragam: Nattai
Thalam: Tisra Ekam
Alarippu, meaning “blossoming,” is a pure dance (nritta) that awakens the body and mind through intricate rhythms, movements, and patterns. With no storytelling, it serves as a meditative offering, preparing the dancer for the pieces to follow.
Kumara Kavithuvam
Ragam: Ragamalika
Thalam: Aadi
Composer: Madurai R. Muralidaran
Kumara Kavithuvam is a devotional piece dedicated to Lord Murugan, blending pure dance and expression to praise his bravery, beauty, and grace. Performed early in a recital, it invokes his blessings while highlighting the dancer’s strength and devotion.
Jathiswaram
Ragam: Ragamalika
Thalam: Misra Chaapu
Composer: Ramaswami Dikshitar
Derived from the Sanskrit words “Jathi” (rhythmic patterns) and “Swaram” (musical notes), Jathiswaram is a classical Bharatanatyam piece that blends rhythm and melody. In this piece, the dancer performs intricate jathis (footwork sequences) interwoven with swaras (melodic passages), highlighting their mastery of rhythm, coordination, and grace.
Varnam - Swami Naan Undan Adimai
Ragam: Nattakurunji
Thalam: Aadi
Composer: Papanasam Sivan
This is a powerful Tamil Varnam that expresses deep devotion and surrender to Lord Shiva. It means “Lord, I am your servant,” and explores a devotee’s longing to be accepted by the divine. The dancer brings to life the tales of: Nandanar, the devotee who longed to enter Chidambaram temple and was finally granted permission by Shiva himself, Markandeya, the boy-saint who defied death by clinging to the Shiva linga, and Kannappar, the hunter who offered his own eyes to stop the bleeding of the Shiva linga.
Intermission - ~ 5PM
Andal Tirupaavai
Ragam: Ragamalika
Thalam: Aadi
Composer: Andal
Tiruppāvai, composed by the 8th-century poet-saint Āṇḍāḷ, is a set of 30 hymns sung during the sacred month of Mārgaḻi. This presentation includes three celebrated verses: Pasuram 1 (Mārgaḻi Thingal), an invitation to all for collective devotion; Pasuram 3 (Ōngi Uḷaḡaḷanda), a praise of the Lord who measured the universe and brings prosperity; and Pasuram 29 (Siṟṟam Siṉaḍu), a prayer seeking Krishna’s grace and protection.
Maadu Meikum Kanne
Ragam: Chenjuruti
Thalam: Tisra
Composer: Oothukkadu Venkata Kavi
Maadu Meikum Kanne, composed by Oothukadu Venkata Kavi, depicts Yashoda’s tender scolding of young Krishna for his playful mischief—stealing butter, teasing the gopikas, and frolicking with the calves. Rich in abhinaya, this padam captures the charm of Krishna’s childhood and a mother’s boundless love.
Omkara Roopini
Ragam: Ragamalika
Thalam: Aadi
Composer: Professor B. Ramamoorthy Rao
Omkara Rupini is a devotional piece that praises the divine feminine energy Devi, the embodiment of Om, the primordial sound of the universe. The term "Omkara" refers to the sacred syllable Om, while "Rupini" means "she who takes the form." The piece highlights her many manifestations—creator, protector, and destroyer—paying homage to her as the source of all creation and consciousness.
Thillana
Ragam: Kunthalavaraali
Thalam: Aadi
Composer: Dr. M. Balamuralikrishna
The Thillana is a lively and vibrant conclusion to a Bharatanatyam performance serving as the showstopping piece of an arangetram. Characterized by intricate rhythmic patterns, swift footwork, and dynamic movements, it showcases the dancer’s technical brilliance and joy in movement. It leaves the audience with a sense of exhilaration, celebrating the energy and beauty of the art form and dance.
Mangalam
Ragam: Surutti
Thalam: Aadi
Composer: Brahmasri C.V.Swami Sastriga
A serene and auspicious conclusion to the performance, this Mangalam invokes the blessings of Goddess Lalithambika. Its soothing melody and graceful movements offer a fitting end, leaving the audience with a sense of peace and devotion.
Dinner - ~ 7:15 PM
Credits
Masters of Ceremony: Kanaga Madasamy, Harini Vijeyanandh
Makeup: Kavya M Shivaramakrishnan groom_with_km
Costume: Sudhakar - Praveena Costume Designer
Photography: Selva Srinivasan
Videography: Shriram Natarajan - Picco Labs
Lighting: Harish Jaiganesh
Audio Technician: Elmo Rajah
Stage Decoration: Onestoppartydecor
Stage Management: Koushalya Kamalraj
Special Thanks
We are deeply grateful to our family, friends, and close relatives for their love and support. Your encouragement and presence have made this journey truly special, and we will cherish these memories and blessings for years to come.